But what I really benefited from was Paul's responsiveness.
The software looked very flexible, and the company is innovative. Timely support makes all the difference! (And who expects they're going to get help from the head of the company?) I chose the Neyrinck SoundCode for Dolby E software to accommodate an immediate need for tape layback, and future expectations of file based Dolby E handling. email me at andrew at minnetonkaaudio dot com or visit our webpage www dot minnetonkaaudio dot com
But is comes down to workflow and choice.Ĭontact me if you'd like to try out a fully functional demo of SurCode or Audio Tools AWE. So we developed SurCode for Dolby E Stream Player to decode and also downmix / emulate - which is compatible with Pro Tools, Nuendo, Pyramix, Media Composer, and AudioTools AWE for only $1000 MSRP.Īll of our Dolby E plug-ins are 100% Pro Tools compatible, but of course there are other workstation out there, so facilities that have several flavors of workstations don't have to re-invest or just designate a room as the Dolby E Pro Tools room.Īs Randall said, both have pros and cons, but clearly both suites are certified implementations of Dolby E. We've also recognized that decoding for QC purposes does not require a full $3500 suite in cases where you just need to playback the file. This means that studios can mix and match with gear they might already have and not have to jump into a purely software based workflow.
MINNETONKA AUDIO PLUGINS TORRENT SERIAL
We also support interoperability with hardware by streaming metadata via serial ports. For example, you can purchase or rent just and encoder for Pro Tools and then decode with hardware. Either just an encoder or decoder by design - rent or purchase. The Minnetonka approach has always been about choice.